### 1. PROSE EVIDENCE
*   **Quote 1 (Early):** "The house was a sprawling, skeletal thing, drafty enough to turn a breeze into a moan and a settling foundation into a scream."
    *   *Commentary:* This effectively establishes the gothic atmosphere by personifying the architecture as a source of auditory horror, which aligns with the chapter's "whisper" theme.
*   **Quote 2 (Mid):** "Case Study: The Blackwood Estate, she typed. Auditory hallucinations consistent with prolonged isolation and sleep deprivation."
    *   *Commentary:* This passage does an excellent job of showing Lena’s "Skepticism as identity" by having her hide behind clinical, academic jargon.
*   **Quote 3 (Mid):** "Inside the store, the air was thick with the scent of woodsmoke and old wool. An elderly man behind the counter, whose name tag read ‘Elias,’ watched her with watery, unblinking eyes."
    *   *Commentary:* This introduces a significant continuity clash with the provided character-state, as the Elias in town behaves like a "local color" NPC rather than the established paranoid scholar from Sub-Level 4.
*   **Quote 4 (Late):** "She grabbed a heavy wooden chair and hurled it at the glass. The chair bounced off with a dull thud, the glass not even cracking. It didn't feel like glass; it felt like frozen iron."
    *   *Commentary:* This vividly illustrates the transition from psychological horror to a physical, supernatural entrapment that overrides the laws of physics.

### 2. CHARACTER VOICE AUDIT
*   **Elias Thorne** (Context: Scholar, paranoid, intellectually consumed, Archive Sub-Level 4).
    *   *Line:* “You’re the one in the Miller place... If you hear them calling, don’t answer.”
    *   *Signature Vocabulary:* **NO.** The profile describes an intellectually consumed scholar at the Archive; this version speaks like a cryptic rural townsman.
    *   *Forbidden Patterns:* **N/A** (No specific "forbidden" list, but violates the "Paranoid/Intellectual" emotional register).
    *   *Emotional Register:* **NO.** He is described in the RAG as having "tremors in hands from adrenaline" and suffering from a "negative" reaction to the Curator. In this chapter, he is "methodical" and "slow," acting as a town shopkeeper rather than a colleague of Sarah Miller.

### 3. STRENGTHS TO PRESERVE
*   **The Sensory Logic of the Haunting:** The use of "rotting peaches" as a recurring olfactory cue provides a visceral anchor for the reader.
    *   *Reference:* "The linoleum was cracked... smelling of Pine-Sol and something underlying it—something sweet and cloying, like rotting peaches."
*   **Academic Denial:** Lena’s internal insistence on rationality despite escalating evidence is a strong character trait.
    *   *Reference:* "“You’re an auditory projection of my own guilt! You’re a neurological glitch!”"
*   **The Physicality of the Signal:** The way the "Whisper" mimics personal trauma (the breakup with Mark) elevates it from a generic ghost to a psychological predator.

### 4. MUST-FIX -- CONTINUITY
*   **ORIGINAL:** "An elderly man behind the counter, whose name tag read ‘Elias,’ watched her with watery, unblinking eyes."
*   **PROBLEM:** This violates the character state for **Elias Thorne**. In the Project Context, Elias is at "The Archive, Sub-Level 4" with Sarah Miller, suffering from adrenaline tremors and under threat of budget cuts from the Curator. In this text, he is a general store clerk in town who seems to be an old local. It is highly improbable (and not explained) why an Archive scholar is moonlighting as a cryptic shopkeeper.
*   **FIX:** Rename the shopkeeper to a new NPC (e.g., "Old Man Silas") or clarify that Lena has arrived at the Archive where Elias is currently working. Given the setting is "The Miller place," change the NPC name to "Old Man Henderson" and keep Elias Thorne solely at the Archive facility.

*   **ORIGINAL:** "The town of Oakhaven was a grim collection of saltbox houses and a single general store."
*   **PROBLEM:** The World State lists "The Archive" as being in Oakhaven, Sub-Level 4. Lena is supposed to be in a Victorian relic inherited from an aunt, but she doesn't seem to acknowledge the massive Archive facility that Elias and Sarah are currently in.
*   **FIX:** Add a line of dialogue or internal monologue where Lena acknowledges the Archive's presence on the edge of town, perhaps dismissing it as another "boring local landmark."

### 5. MUST-FIX -- CLARITY
*   **ORIGINAL:** "Lena... why did you let him go?"
*   **PROBLEM:** This is the first mention of "Mark" and the accident. The transition from the "Whisper" to Lena's hyper-specific trauma is a bit abrupt, leaving the reader wondering if the voice is her mind or the signal.
*   **FIX:** Add a brief sentence of internal reflection earlier in the chapter (perhaps while she's looking at her phone/lack of bars) about why she came to this house specifically to escape the ghost of her past mistakes.

### 6. OPTIONAL SUGGESTIONS
*   **Suggestion:** Lean into the "Whisper" frequency matching the 1920s occult patterns mentioned in the context.
    *   *Quote:* "The kettle began to hiss. As the pitch rose, another sound joined it."
    *   *Benefit:* If Lena’s "dissertation on the cognitive biases of folklore" included a mention of these patterns, it would bridge the gap between her and Elias Thorne’s research.

### 7. FORBIDDEN CHANGES / NON-GOALS
*   **Scientific Jargon:** Do not "simplify" Lena’s thoughts. Phrases like "Infrasound frequencies" and "structural resonance" are essential to her character as an academic skeptic.
*   **The Ending:** Do not allow Lena to escape or provide a "happy" resolution. The genre is Horror, and the 10% Arc shift toward "believer in supernatural danger" requires this moment of total vulnerability.

### 8. VERDICT: REVISE
**SCORE: 78**
**Justification:** The chapter is atmospheric and well-written, but it contains a major continuity error regarding "Elias," who is established in the project notes as a paranoid Archive scholar but appears here as a stereotypical local shopkeeper. This must be corrected to maintain world-state integrity.