### 1. PROSE EVIDENCE
*   **Quote 1 (Early):** "The world had gone lethally quiet, save for the merciless ringing in Sarah's ears, as blood trickled warm down her neck." 
    *Commentary:* Effectively establishes the immediate physical stakes and sensory deprivation following the climax of the previous chapter.
*   **Quote 2 (Mid):** "The beam was a pathetic needle of light through a charcoal haze of smoke and dust. He swept the hallway, the light catching the 'wet' look of the walls—streaks of moisture that looked like dark weeping sores on the wallpaper."
    *Commentary:* The imagery of "weeping sores" reinforces the biological/sentient undertone of the signal established in the RAG context.
*   **Quote 3 (Late):** "In the sudden, absolute darkness, the scent of wet iron grew exponentially stronger. It wasn't coming from the kitchen or the electronics. It was coming from the walls themselves."
    *Commentary:* This passage successfully transitions the threat from a digital/audio anomaly to a physical, environmental presence.

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### 2. CHARACTER VOICE AUDIT

**Sarah Miller**
*   **Dialogue:** "E-Elias... Empirically speaking... that wasn't a power surge."
*   **Signature vocabulary/tics?** YES ("Empirically speaking", stammers initial consonants "E-Elias").
*   **Avoids forbidden patterns?** YES (Avoids "flowery" language; uses analytical terms).
*   **Consistent with arc?** YES (Transitioning to "engineer" role by analyzing the feedback as a weapon).

**Elias Thorne**
*   **Dialogue:** "It's sentient... Or it's biological. It’s reacting to us, Sarah."
*   **Signature vocabulary/tics?** YES (Focuses on the biological/sentient nature of the signal).
*   **Avoids forbidden patterns?** YES.
*   **Consistent with arc?** YES (Moving from observer to participant).

**Mark**
*   **Dialogue:** "It’s just the grid, Elias... Old wiring. I told Sarah she was imagining things."
*   **Signature vocabulary/tics?** N/A (Profile states "Voice Signature: Unknown").
*   **Avoids forbidden patterns?** YES.
*   **Consistent with arc?** YES (Remains a "static skeptical anchor").

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### 3. STRENGTHS TO PRESERVE
*   **Sensory Integration:** The use of "scorched copper," "ozone," and "sulfur" ("lungs burned with the sharp, acidic sting of ozone and something deeper, more primal") creates a visceral, immersive atmosphere.
*   **Sarah’s Analytical Shield:** Her habit of "muttering frequencies under breath rather than screaming" ("Fourteen point zero three... sub-threshold resonance...") is a strong character-specific defense mechanism.
*   **The "Wet Iron" Motif:** The recurrence of this scent ("the scent of wet iron grew exponentially stronger") provides a consistent clue to the signal's biological nature.

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### 4. MUST-FIX -- CONTINUITY

*   **ORIGINAL:** "The 110-decibel feedback loop had felt like a physical intrusion—a serrated blade of sound that had liberated her from her senses." (Early)
*   **PROBLEM:** The World State RAG specifies the feedback loop was "110dB." While consistent here, the RAG also states all electronics are "fried." Sarah then uses her digital recorder. The RAG "Open Loop" notes her recorder is "ghost-looping," but the text implies she starts a *new* recording.
*   **FIX:** Clarify that she is attempting to use a device that is already malfunctioning/looping due to the surge, rather than it functioning normally.

*   **ORIGINAL:** "Mark didn't turn. 'It’s just the grid, Elias,' he said..." (Late)
*   **PROBLEM:** The World State RAG for Mark states he is "immobile" and "silent" (Emotional: Shocked; silent). The current text has him speaking dismissively and moving to adjust his position ("Mark merely adjusted his position in the chair"). This contradicts the RAG "Character State" for Ch-07 which lists him as "silent."
*   **FIX:** Mark should remain silent or his speech should be eerie/monotonous and bordering on catatonic to match the "static anchor" description. Update his dialogue to be even more detached.

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### 5. MUST-FIX -- CLARITY

*   **ORIGINAL:** "He reached for her, his hands hovering as if afraid she might shatter. Sarah flinched as the light hit her eyes..." (Mid)
*   **PROBLEM:** Earlier, the text states Sarah "couldn't hear her own breathing" and was in "absolute blackness." If the tinnitus is that severe and the darkness total, the transitions of Elias entering and Sarah reacting to the light need a beat more of sensory confusion to ensure the reader understands her disorientation.
*   **FIX:** Sarah flinched as the light—a sudden, violent intrusion into her blind world—hit her eyes, her pupils blown wide..."

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### 6. OPTIONAL SUGGESTIONS
*   **Optional:** "She reached out and grabbed his forearm, her grip surprisingly strong." (Mid).
    *   *Suggestion:* Connect this to her physical state/adrenaline-suppressed terror mentioned in the RAG to show her body reacting before her analytical mind.
*   **Optional:** "He saw her then, a shadow against the kitchen doorway." (Mid).
    *   *Suggestion:* Since Sarah was holding the counter in the previous paragraph, specify if she moved to the doorway or is still by the counter for better spatial blocking.

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### 7. FORBIDDEN CHANGES / NON-GOALS
*   **Do not fix Sarah’s stutter:** The "Th-th-the" and "E-E-Elias" are established "Imperfection signatures" in her voice sig.
*   **Do not soften Mark’s skepticism:** His dismissiveness ("Old wiring") is his "static anchor" arc and must be preserved even if it seems unrealistic given the destruction.
*   **Do not remove "Empirically speaking":** This is a mandatory verbal tic.

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### 8. VERDICT

**SCORE: 82**
**REVISE**
The chapter captures the atmosphere and character voices excellently, but it contains a direct continuity violation regarding Mark's state (RAG states he is "silent" and "immobile," whereas the text gives him dialogue and movement). Additionally, the functionality of the "fried" electronics versus the digital recorder needs slight clarification to align with the "Electronic Dead Zone" world state.