### 1. PROSE EVIDENCE
*   **Quote 1 (Early):** "Just seconds ago, the voice had been right there—pressed against the sensitive skin of his ear, a wet, rattling vibration that had smelled of stagnant water and old copper."
    *   *Commentary:* This effectively utilizes sensory details (smell of copper/water) to ground the supernatural threat in physical reality.
*   **Quote 2 (Mid):** "Mrs. Gable, the town’s resident historian and lead archivist, peering at him over a pair of spectacles that hung by a beaded chain. She looked like she was made of parchment and pressed flowers."
    *   *Commentary:* This provides an evocative, concise visual characterization that aligns with the eerie atmosphere of the archives.
*   **Quote 3 (Late):** "In the reflection, the space where he stood was empty. The lamp he held was suspended in mid-air, floating."
    *   *Commentary:* This passage clearly and chillingly conveys the horror of Elias's impending erasure from reality.

### 2. CHARACTER VOICE AUDIT
*   **Character: Elias Thorne**
    *   **Dialogue:** “I don’t believe in ghosts, Mrs. Gable. I’m a restorer. I believe in dry rot, foundations, and bad plumbing.”
    *   **Signature Vocabulary/Tics:** YES. His focus on "dry rot" and "foundations" reflects his background as a scholar/restorer.
    *   **Explicitly Forbidden Patterns:** YES. No profile-dictated forbidden patterns were identified in the RAG context.
    *   **Emotional Register Consistent:** YES. His skepticism is failing, visible in his obsessive focus on physical causes (Arc 10%).

*   **Character: Mrs. Gable** (Note: NPC not in initial RAG list, but established in text)
    *   **Dialogue:** “Don’t forget your phone, dear. It’s still… talking.”
    *   **Signature Vocabulary/Tics:** YES. Uses a "dry leaf" cadence and unsettlingly polite endearments ("dear").
    *   **Explicitly Forbidden Patterns:** YES.
    *   **Emotional Register Consistent:** YES. She maintains the "imperious and dismissive" or unsettlingly calm tone common to Oakhaven authorities/archivists in this setting.

### 3. STRENGTHS TO PRESERVE
*   **The "Sink" Mythology:** The dialogue regarding the house’s history adds necessary depth.
    *   *Reference:* "Most folks here just call it ‘The Sink.’ Because nothing that goes in ever comes back quite the same."
*   **Sensory Horror:** The use of smell and sound to herald the supernatural is a strong genre staple used well here.
    *   *Reference:* "Just the smell. That cloying, sweet rot he couldn’t seem to scrub out of the walls."
*   **Elias’s Arc Progress:** The transition from skepticism to visceral fear is paced correctly for a third chapter.
    *   *Reference:* "He turned the tap on... He kept his eyes open. He refused to blink. In the movies, that was when things changed."

### 4. MUST-FIX -- CONTINUITY
*   **ORIGINAL:** "The morning brought a fragile sense of reality. The sun, pale and indifferent, filtered through the grime-streaked windows of the local archives."
*   **PROBLEM:** The RAG context establishes Elias’s current location as **"The Archive, Sub-Level 4, Oakhaven"** and mentions he has already interacted with the "Curator" at the "Administrative Wing." The chapter treats the town archives as a new location he is visiting for the first time to research "Blackwood Manor," whereas the Project Context suggests he is already deep into an investigation at a specific facility called "The Archive."
*   **FIX:** Reconcile Blackwood Manor with the Oakhaven Archive project. If Blackwood is his home, ensure it is clear why he is at a *local* archive rather than his place of work (The Archive) where Sarah is.

*   **ORIGINAL:** "He had sunk every penny of his inheritance and his savings into the renovation of Blackwood Manor."
*   **PROBLEM:** The Project Context identifies Elias’s location as "The Archive, Sub-Level 4" and his current state as "Intellectually consumed" with the "Whisper signal." There is no mention of "Blackwood Manor" in the official RAG state; the signal is localized "within Oakhaven city limits."
*   **FIX:** Establish earlier in the chapter that Blackwood Manor is his residence provided by or located near the Archive facility to maintain location continuity.

### 5. MUST-FIX -- CLARITY
*   **ORIGINAL:** "Check the 1980s records. The Miller family. There’s a police report tucked in the back."
*   **PROBLEM:** This creates an unacknowledged coincidence. Sarah Miller is Elias's colleague in the Archive (from Chapter 1/Context). Elias does not react to the surname "Miller" despite working closely with a Sarah Miller.
*   **FIX:** Add a beat of recognition or suspicion. "Miller? The name struck a chord—Sarah’s family was local, but surely it was a coincidence."

### 6. OPTIONAL SUGGESTIONS
*   **Suggestion:** Lean harder into the specific "1920s occult patterns" mentioned in the RAG secret.
    *   *Quote for reference:* "1924. That was the year the first family left."
    *   *Reasoning:* Elias knows the signal frequency matches 1920s patterns. Adding a line where he notices the 1924 ledger entry correlates to the signal's frequency would bridge Chapter 1 and Chapter 3 effectively.

### 7. FORBIDDEN CHANGES / NON-GOALS
*   **Do not change the auditory hallucinations:** The chanting of "E-li-as" on the radio is an intentional horror trope and fits the "Whisper" signal theme established in the context.
*   **Do not "fix" Elias's cowardice:** His frantic reaction and tripping over books are consistent with his "Paranoid" emotional state and "Slight tremors" noted in the [character-state].

### 8. VERDICT: REVISE
**SCORE: 78**
**Justification:** While the prose is atmospheric and evocative, the chapter introduces a substantial continuity gap regarding "Blackwood Manor" which was not present in the RAG Project Context, and it misses a vital character connection regarding the "Miller" name that is critical to the established "Sarah Miller" relationship.