This is Lane. I’ve run the rhythmic audit on Chapter 5. The sensory transposition between the "Gilded Pulse" and the physical decay of the setting is evocative, but there are structural fissures in the dialogue—specifically where the sovereigns lose their "no-contraction" discipline without sufficient metabolic justification.

### 1. PROSE EVIDENCE
*   **Early:** "The Great Hall smelled of ozone and expired ambition, but it was the hollow rattle in my own ribs that truly offended me."
    *   *Commentary:* A sharp opening that establishes the sensory priority of the narrator while grounding her physical desperation in a concrete, internal sound.
*   **Mid:** "Every step was a calculated expenditure of a reserve that was nearly empty."
    *   *Commentary:* This effectively reinforces Seraphine’s architectural voice, treating her own stamina as a finite resource to be managed.
*   **Late:** "The first draw was agonizing. The silver in his blood scorched my tongue, a searing, caustic reminder of his recent poisoning."
    *   *Commentary:* The "scorched/searing/caustic" triplet is slightly repetitive, but it successfully communicates the physical price of her "tactical requisition."

### 2. CHARACTER VOICE AUDIT

**Queen Seraphine**
*   **Line:** "I do not know what you mean." (Mid)
*   **Signature/Tics:** YES. Uses architectural metaphors ("structural failure," "internal masonry").
*   **Forbidden Patterns:** NO. She avoids contractions as required by her profile.
*   **Emotional Register:** YES. She maintains her "cold utility" posture until the hunger physically breaks her.

**King Aldric**
*   **Line:** "You do not lie well when your heart is trying to leap out of your chest." (Mid)
*   **Signature/Tics:** YES. Analytical focus on "systems" and "observers."
*   **Forbidden Patterns:** **VIOLATION.** Mid-scene: "I suspect you have been feeding your inner circle..." and "Your skin is translucent..."
    *   *Rule Broken:* Aldric’s profile states: "His speech is entirely devoid of contractions... unless he is experiencing a moment of rare, raw vulnerability." In the early solar dialogue, he is still in his "analytical observer" mode; the use of 'don't' and 'you're' (implied by the flow, though he mostly sticks to 'do not' here) is mostly clean, but the text fluctuates.
*   **Correction:** "I do not know what you mean" (Seraphine) followed by Aldric’s "You do not lie well" is good, but the narrative says: "He did not use a contraction." This meta-commentary is dangerous if a contraction slips in elsewhere.

**High Priestess Malcorra**
*   **Line:** "It is written in the vein that a house divided within itself cannot weather the Blight." (Early)
*   **Signature/Tics:** YES. Uses "It is written in the vein" and refers to the body as "the vessel."
*   **Forbidden Patterns:** YES. Avoids "I think" or "In my opinion."
*   **Emotional Register:** YES. Maintains liturgical certainty.

### 3. STRENGTHS TO PRESERVE
*   **Architectural Metaphor Consistency:** Seraphine’s internal monologue consistently uses her "No-Goal" voice signature. Quote: "When one stone forgets its purpose, the entire arch must be reassessed."
*   **The Inverted Predator Dynamic:** The tension of Aldric—the "prey"—commanding the interaction. Quote: "This is not an act of intimacy; it is a tactical requisition."
*   **Sensory Magic:** The description of the blood-bond as "static" and "high, thin whine."

### 4. MUST-FIX — CONTINUITY
*   **ORIGINAL:** "The soldiers must be viable," I said, my voice dropping to a predatory rasp. (Mid)
*   **PROBLEM:** Seraphine’s voice signature states: "When truly rattled, she over-articulates her consonants to a predatory degree, making her speech sound like the clicking of shears." A "rasp" contradicts the "clicking/articulation" requirement of her profile.
*   **FIX:** "The soldiers must be viable," I said, my consonants clicking like the snap of a bone.

### 5. MUST-FIX — CLARITY
*   **ORIGINAL:** "Filter the toxin has its costs." (Mid)
*   **PROBLEM:** Grammatical fracture. "Filter" should be a gerund ("Filtering") or "To filter." As it stands, it halts the rhythm.
*   **FIX:** "Filtering the toxin has its costs."

*   **ORIGINAL:** "I reached out, intended to push him away..." (Late)
*   **PROBLEM:** Tense disagreement.
*   **FIX:** "I reached out, intending to push him away..."

### 6. OPTIONAL SUGGESTIONS
*   **Suggestion on Aldric’s Tell:**
    *   **Quote:** "He adjusted the heavy signet ring on his right hand—a tell." (Mid)
    *   **Rationale:** Since the reader already knows this from his character sheet, having Seraphine identify it as "a tell" feels a bit on the nose. Let her observe the movement without labeling it for the audience.
    *   **Proposed Change:** "He adjusted the heavy signet ring on his right hand. He was concealing something—the extent of his own weakness, or perhaps his alarm."

### 7. FORBIDDEN CHANGES / NON-GOALS
*   **Do not remove the "We" vs "I" shift in Aldric.** This is an intentional marker of his vulnerability.
*   **Do not "soften" Seraphine’s lack of contractions.** It is her defining vocal constraint.
*   **Do not remove the repetition of "structural" or "foundation."** These are key to the Queen's architectural cognition.

### 8. VERDICT: REVISE
**SCORE: 82/100**
The chapter is atmospheric and nails the power exchange, but the prose is marred by a few grammatical slips ("Filter" vs "Filtering") and a direct violation of Seraphine’s "clicking consonant" imperfection in favor of a generic "rasp." Correcting the tense/grammar and aligning the predatory speech to her "clicking" signature will bring this to a Pass.