### 1. PROSE EVIDENCE
*   **Early:** "They didn't just vibrate in the air; they hummed against the marrow of Eleanor’s teeth." — This effectively uses a somatic, sensory detail to elevate the horror from auditory to physical violation.
*   **Mid:** "The attic door was a slab of dark oak, its grain twisted into shapes that resembled agonized faces." — This classic gothic imagery effectively signals the transition from a mundane psychological struggle to a heightened supernatural encounter.
*   **Late:** "The shadows in the corners of the attic began to move... They pulled themselves from the eaves like spiders, lengthening and thickening." — The use of "spiders" as a verb-like simile successfully evokes a visceral, instinctual revulsion in the reader.
*   **Late:** "In every single piece of broken glass, a different version of her own mouth was moving." — This image provides a strong, cinematic "punctuation mark" to the supernatural event, emphasizing the fragmentation of her psyche.

### 2. CHARACTER VOICE AUDIT
*   **Character: Eleanor**
    *   **Dialogue Line:** "It’s the house. It’s just the settling. It’s the pipes. It’s the dry rot."
    *   Signature Vocabulary/Verbal Tics: **YES** (Uses staccato, repetitive internal denial characteristic of the "skeptic under siege" trope).
    *   Avoid Forbidden Patterns: **YES** (Prose avoids modern slang or anachronisms).
    *   Emotional Register Consistent: **YES** (Her descent from denial to vocalized terror matches her 0% to high-stress arc in this chapter).

*   **NOTE ON RAG CONTEXT:** The RAG database provided names Elias Thorne and Sarah Miller in the "Archive" location. However, this chapter introduces "Eleanor" at "Blackwood/Miller Street."
    *   **VOICE SIGNATURES (RAG):** Elias is "Paranoid/Intellectually consumed"; Sarah is "Skeptical/Unsettled."
    *   **REPORT:** While Eleanor is not in the provided RAG Character State (ch-01), her voice aligns with the established "Skeptical/Unsettled" tone of Sarah Miller, suggesting a possible POV transition or a character name discrepancy that needs addressing in Continuity.

### 3. STRENGTHS TO PRESERVE
*   **Tactile Horror:** The description of the entities' physical presence is highly effective. Quote: "A hand, cold as a tombstone and smelling of damp earth, brushed against the back of her neck. The touch was tactile—real. She felt the individual ridges of the fingerprints."
*   **Historical Guilt Integration:** The way the supernatural manifestations are tied to her past trauma creates narrative depth. Reference: The letter written in her own hand saying, "To the one who watches the fire."

### 4. MUST-FIX -- CONTINUITY
*   **ORIGINAL:** "Every time she closed her eyes, the whispers became a roar... since she’d arrived at Blackwood." / "She was ten years old, standing in the hallway of the old house on Miller Street."
*   **PROBLEM:** The RAG context for Project "Whispers in the Dark" establishes the location as **"The Archive, Oakhaven"** and the protagonists as **Elias Thorne and Sarah Miller**. This chapter introduces **Eleanor** and **Blackwood**, with no mention of the established setting or lead characters.
*   **FIX:** Reconcile the character names and locations. If Eleanor is Sarah Miller (as her last name is Miller in RAG), ensure her name is consistent: "Every time Sarah closed her eyes... since she'd arrived at The Archive."
*   **ORIGINAL:** "The attic had been locked when the estate agent gave her the keys..."
*   **PROBLEM:** RAG context states Sarah Miller and Elias Thorne are in "Sub-Level 4" of a research Archive facility. An "estate agent" and an "attic" in a Victorian house contradict the established underground, academic setting.
*   **FIX:** Relocate the scene to the Archive’s restricted records wing. "The heavy steel door had been locked when the Curator denied her the access codes..."

### 5. MUST-FIX -- CLARITY
*   **ORIGINAL:** "The darkness at the top of the stairs seemed more than a lack of light; it was a physical barrier, a curtain of ink that she had to push through."
*   **PROBLEM:** The transition from a physical house to a seemingly infinite, shifting space happens abruptly without enough sensory grounding, making the geography of the climax confusing.
*   **FIX:** Add a sentence clarifying the surreal expansion: "She stepped forward, but the threshold seemed to stretch; the walls of the landing bled into an impossibly vast, darkened chamber."

### 6. OPTIONAL SUGGESTIONS
*   **Optional:** Enhance the connection to the "Whisper signal" mentioned in RAG.
    *   **Relevant Quote:** "The whispers slithered from the walls again..."
    *   **Suggestion:** Mention the specific frequency or an electronic hum to bridge the "1920s occult patterns" mentioned in Elias's RAG notes with Eleanor's/Sarah's experience.

### 7. FORBIDDEN CHANGES / NON-GOALS
*   **Internal Monologue:** Do not change Eleanor’s repetitive self-soothing (e.g., "It’s the pipes. It’s the dry rot."). This is a deliberate character signature of her denial.
*   **Genre Tropes:** The "shattering mirror" and "creaky stairs" are intentional horror conventions for this project and should remain regardless of their perceived "cliché" status.

### 8. VERDICT: REVISE
**SCORE: 72**

**Justification:** While the prose is evocative and the horror beats are well-executed, there is a **massive continuity disconnect** between the provided RAG Context (Elias/Sarah at The Archive in Oakhaven) and the Chapter Text (Eleanor at Blackwood house). The characters and setting do not match the project's established world state.