Sprint 56h: fix spawn_list bug + add iris character_sheet support + voice sig auto-import
This commit is contained in:
@@ -47,6 +47,11 @@ hint: |
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- KEY BEATS: 3–5 numbered scene beats that will form the chapter
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- CLOSING HOOK: Exact last image or line that makes readers continue
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- Reminders about continuity, prose style, and target length
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- CHARACTER VOICE PROFILES (pre-extracted):
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{character_profiles}
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If this block is empty, fall back to searching PROJECT DELIVERABLES for a file
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containing "## Voice Signatures" and copy it here. PASS 1 must write every
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character to their profile.
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STEP 5 — PREVIOUS CHAPTER CHARACTER STATE (if available):
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If context contains a block starting with "PREVIOUS CHAPTER CHARACTER STATE:",
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@@ -1,5 +1,6 @@
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type: think
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model: power
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max_tokens: 32000
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hint: |
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PASS 1 — WRITE THE COZY MYSTERY CHAPTER DRAFT
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@@ -57,6 +58,28 @@ hint: |
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- PACING: Cozy chapters move through scenes naturally, never rushed. A chapter might include
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an investigation beat, a community scene, and a personal moment. Balance all three.
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VOICE ANTI-PATTERNS — THESE ARE FORBIDDEN ON EVERY PAGE:
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- Do NOT open any chapter with the "didn't just X; it Y" sentence construction.
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Every chapter must have a structurally distinct opener. Vary: in medias res,
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quiet beat, dialogue cold open, environmental sweep, interiority.
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No two consecutive chapters may use the same opener structure.
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- The book's thematic contrast (whatever it is — body/mind, memory/possibility, etc.)
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may appear ONCE per scene as a metaphor. Not in every paragraph. Trust the reader.
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If you have used the contrast in the last two paragraphs, you may not use it again
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for at least three more paragraphs.
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- Do NOT label an emotion that you have already shown through action or dialogue.
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If the character's hands are shaking, do not also write "she was afraid."
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If the dialogue already conveys anger, do not add "his voice was furious."
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- Do NOT count or reference chapter numbers in the prose.
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"Five chapters of..." is an AI fingerprint. Never.
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- Each character must have at least ONE verbal imperfection per scene they appear in:
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a sentence they don't finish, a word they use wrong, a line that doesn't land,
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a moment of fumbling before the right words come. Perfect dialogue is dead dialogue.
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- Check the CHARACTER VOICE PROFILE in the outline/bible (if present) — if each
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speaking character's dialogue cannot be identified as THEIRS without a speaker tag,
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rewrite until it can. Verbal tics, pet phrases, and characteristic patterns are
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non-negotiable signatures.
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Output ONLY the draft chapter text.
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Start directly with the chapter title (e.g., "Chapter N: [Title]") and opening line.
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No commentary, no plan headers, no "Pass 1" label.
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@@ -23,6 +23,7 @@ spawn:
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genre_name: "{genre_name}"
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genre_audience: "{genre_audience}"
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chapter_ref: "{chapter_ref}"
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character_profiles: "{character_profiles}"
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- task_type: chapter_review
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task_name: "Review (Lane): {chapter_ref}"
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agent_name: Lane
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@@ -33,6 +34,7 @@ spawn:
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genre_name: "{genre_name}"
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genre_audience: "{genre_audience}"
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chapter_ref: "{chapter_ref}"
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character_profiles: "{character_profiles}"
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- task_type: chapter_review
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task_name: "Review (Cora): {chapter_ref}"
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agent_name: Cora
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@@ -43,6 +45,7 @@ spawn:
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genre_name: "{genre_name}"
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genre_audience: "{genre_audience}"
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chapter_ref: "{chapter_ref}"
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character_profiles: "{character_profiles}"
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- task_type: chapter_roundtable
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task_name: "Roundtable: {chapter_ref}"
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agents:
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@@ -56,6 +59,7 @@ spawn:
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genre_audience: "{genre_audience}"
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chapter_ref: "{chapter_ref}"
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chapter_target_words: "{chapter_target_words}"
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character_profiles: "{character_profiles}"
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depends_on:
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- "Review (Devon): {chapter_ref}"
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- "Review (Lane): {chapter_ref}"
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@@ -1,5 +1,6 @@
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type: think
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model: power
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max_tokens: 32000
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hint: |
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PASS 1 — WRITE THE ROMANCE CHAPTER DRAFT
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@@ -52,6 +53,28 @@ hint: |
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- PACING: Slow build. Do NOT resolve the primary romantic tension early. Push through to
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the black moment before the earned resolution.
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VOICE ANTI-PATTERNS — THESE ARE FORBIDDEN ON EVERY PAGE:
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- Do NOT open any chapter with the "didn't just X; it Y" sentence construction.
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Every chapter must have a structurally distinct opener. Vary: in medias res,
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quiet beat, dialogue cold open, environmental sweep, interiority.
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No two consecutive chapters may use the same opener structure.
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- The book's thematic contrast (whatever it is — body/mind, memory/possibility, etc.)
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may appear ONCE per scene as a metaphor. Not in every paragraph. Trust the reader.
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If you have used the contrast in the last two paragraphs, you may not use it again
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for at least three more paragraphs.
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- Do NOT label an emotion that you have already shown through action or dialogue.
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If the character's hands are shaking, do not also write "she was afraid."
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If the dialogue already conveys anger, do not add "his voice was furious."
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- Do NOT count or reference chapter numbers in the prose.
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"Five chapters of..." is an AI fingerprint. Never.
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- Each character must have at least ONE verbal imperfection per scene they appear in:
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a sentence they don't finish, a word they use wrong, a line that doesn't land,
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a moment of fumbling before the right words come. Perfect dialogue is dead dialogue.
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- Check the CHARACTER VOICE PROFILE in the outline/bible (if present) — if each
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speaking character's dialogue cannot be identified as THEIRS without a speaker tag,
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rewrite until it can. Verbal tics, pet phrases, and characteristic patterns are
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non-negotiable signatures.
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Output ONLY the draft chapter text.
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Start directly with the chapter title (e.g., "Chapter N: [Title]") and opening line.
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No commentary, no plan headers, no "Pass 1" label.
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@@ -1,5 +1,6 @@
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type: think
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model: power
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max_tokens: 32000
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hint: |
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PASS 1 — WRITE THE SCIENCE FICTION CHAPTER DRAFT
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@@ -55,6 +56,28 @@ hint: |
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- PACING: Alternate tension with revelation. Each chapter should push the external plot
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forward AND deliver one new piece of world or character understanding.
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VOICE ANTI-PATTERNS — THESE ARE FORBIDDEN ON EVERY PAGE:
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- Do NOT open any chapter with the "didn't just X; it Y" sentence construction.
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Every chapter must have a structurally distinct opener. Vary: in medias res,
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quiet beat, dialogue cold open, environmental sweep, interiority.
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No two consecutive chapters may use the same opener structure.
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- The book's thematic contrast (whatever it is — body/mind, memory/possibility, etc.)
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may appear ONCE per scene as a metaphor. Not in every paragraph. Trust the reader.
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If you have used the contrast in the last two paragraphs, you may not use it again
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for at least three more paragraphs.
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- Do NOT label an emotion that you have already shown through action or dialogue.
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If the character's hands are shaking, do not also write "she was afraid."
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If the dialogue already conveys anger, do not add "his voice was furious."
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- Do NOT count or reference chapter numbers in the prose.
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"Five chapters of..." is an AI fingerprint. Never.
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- Each character must have at least ONE verbal imperfection per scene they appear in:
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a sentence they don't finish, a word they use wrong, a line that doesn't land,
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a moment of fumbling before the right words come. Perfect dialogue is dead dialogue.
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- Check the CHARACTER VOICE PROFILE in the outline/bible (if present) — if each
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speaking character's dialogue cannot be identified as THEIRS without a speaker tag,
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rewrite until it can. Verbal tics, pet phrases, and characteristic patterns are
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non-negotiable signatures.
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Output ONLY the draft chapter text.
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Start directly with the chapter title (e.g., "Chapter N: [Title]") and opening line.
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No commentary, no plan headers, no "Pass 1" label.
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@@ -1,5 +1,6 @@
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type: think
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model: power
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max_tokens: 32000
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hint: |
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PASS 1 — WRITE THE YA CHAPTER DRAFT
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@@ -48,6 +49,28 @@ hint: |
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- PACING: YA chapters end on hooks. Momentum over description. No scene lasts longer than
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it earns. Get out of scenes early.
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VOICE ANTI-PATTERNS — THESE ARE FORBIDDEN ON EVERY PAGE:
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- Do NOT open any chapter with the "didn't just X; it Y" sentence construction.
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Every chapter must have a structurally distinct opener. Vary: in medias res,
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quiet beat, dialogue cold open, environmental sweep, interiority.
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No two consecutive chapters may use the same opener structure.
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- The book's thematic contrast (whatever it is — body/mind, memory/possibility, etc.)
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may appear ONCE per scene as a metaphor. Not in every paragraph. Trust the reader.
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If you have used the contrast in the last two paragraphs, you may not use it again
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for at least three more paragraphs.
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- Do NOT label an emotion that you have already shown through action or dialogue.
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If the character's hands are shaking, do not also write "she was afraid."
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If the dialogue already conveys anger, do not add "his voice was furious."
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- Do NOT count or reference chapter numbers in the prose.
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"Five chapters of..." is an AI fingerprint. Never.
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- Each character must have at least ONE verbal imperfection per scene they appear in:
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a sentence they don't finish, a word they use wrong, a line that doesn't land,
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a moment of fumbling before the right words come. Perfect dialogue is dead dialogue.
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- Check the CHARACTER VOICE PROFILE in the outline/bible (if present) — if each
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speaking character's dialogue cannot be identified as THEIRS without a speaker tag,
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rewrite until it can. Verbal tics, pet phrases, and characteristic patterns are
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non-negotiable signatures.
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Output ONLY the draft chapter text.
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Start directly with the chapter title (e.g., "Chapter N: [Title]") and opening line.
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No commentary, no plan headers, no "Pass 1" label.
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